London's Victoria and Albert (V & A) Museum is holding a "tsar's gorgeous" (Magnificence of the Tsars) exhibition, on display from 1721 to 1917 between the Russian court dress. These well-preserved coat, uniform, uniform, Guan Fu garment of the royal family and all of the Kremlin Museum in Moscow, which have been carefully repaired, and was wrapped in tissue paper, to preserve at least a century as a whole. 
Before the rule of Peter the Great in Russia's national fur garments mainly robe, a member of the royal family does not pay attention to fashionable clothing. Later, Peter I the implementation of reform and modernization when aristocrats were encouraged to learn French, and France's culture, fashion and etiquette. Exhibits can be traced back to the reign of Peter II, when the young coat of the tsar, a suit vest, pants ceremony, socks and gloves has been largely French-made silk products. His coronation ceremony also did not dress in a timely manner because the service was delayed from Lyon. This cut very close to the comforts silver reflective fabric made from the top, embroidered with golden thread a mosaic, fruit patterns. Through another of his black mourning dress coat despite a very simple profile type is reminiscent of the minimalism sculpture, in order to maintain a unified style, each button are wrapped in black wool.
After several of the Czar although often in uniform attended the coronation ceremony, but, as well as members of the royal family retainer who fit into the pattern trimmed with gold chapter of the ear with colored wool or velvet costumes are gorgeous enough to use to describe. The Last Czar Nicholas II's coronation at the Zhijin Duan cloak worn by foot, 7-meter-long, embroidered above the double-headed eagle symbol of the royal family. In 1903, held a grand fancy dress party, Nicholas II, wearing a golden treasures of the Kremlin Zhuiman Turkey Zhijin Duan long gown, alone on the cuffs on a large pearl inlay, gold nails, diamonds, rubies and emeralds . After the ball this priceless clothes from the custody of Arsenal.
Ms. Coco Chanel's love Moscow This should be midnight in Moscow, a sleek and elegant woman with her Russian lover covered in black and white particles on the screen flirting. Although not listen to a dialogue, but the woman who placed the hat on me by the name of India tells us that she is Gabrielle Chanel. The 10-minute silent film directed by Karl Lagerfeld in person, called the film "Paris - Moscow." Since 2002, Chanel launched every year in a city with the theme of the series of high-level hand-Square, this year's theme is Moscow, which is short for the opening of the conference series. "A lot of people are shot on film Coco, so I have to shoot a, I like silent." Karl Lagerfeld said.
Karl Lagerfeld Russia reproduction of the times Moscow is very Coco Chanel Shenmi city. She was here with the Russian Grand Duke Dimi Cui into love and lovers from the rough wool and leather jacket Duan Dayi do draw inspiration. Russia's magnificent Byzantine-style jewelry and embroidery are also essential to the world of Chanel's classic theme. In Karl Lagerfeld's creative series of Moscow, the Kremlin's onion-shaped dome has become a heel, fur hand on the cage appeared in the eye-catching double-C logo, the circular handbag while people think of Easter eggs at once. They all reflect the shoemaker's Chanel, feathers and embroidery workers who are representing the craft. "I was making too many of the designers of the Russian style of dress, but Karl's smart because he structuralism, the style of Russia, the Russian folk blend together." As said Francois Lesage embroidery work, Karl Stalin era with the geometric cusp To weaken the shape of the Great Revolution that before too magnificent style. Cut fancy uniform coat so that men's Chanel show an unprecedented sense of reliable, long knit cardigan covered with Red Square on the structure and style of carving or geometric-shaped, with the fancy suits and ankle length skirts with the Lulekesi fabric of a very long and thin -Profile. In short, regardless of the video or high-level hand-Square series, played a Karl Lagerfeld's strengths: a strong culture of self-cultivation and modernist design.
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