Karl Lagerfeld brought the 52-year-old Supermodel Jerry Hall played Lea de Lonval, Baptiste Giabiconi deductive Chéri, such a portfolio and also quite close to the original.

For many Nepalese Qian - Gabriel • Colette (Sidonie-Gabrielle Colette) The French novelist, U.S. may be a bit strange, "Gigi" may be her most famous works, but "Chéri" is for her fame. Chanel and Colette legacy to future generations the greatest thing in common, are two of the pursuit of love, Chanel there Needless to say, I believe that many people were already familiar with, but Colette greater than her, she said the affair does not do, whether with male or female, she can catch. In 1924 her second divorce, she and the stepson of Bertrand deJouvenel relationship become a topic. Colette can be seen at what love did not standardize on the road.

Karl Lagerfeld brought the 52-year-old Supermodel Jerry Hall played Lea de Lonval, Baptiste Giabiconi deductive Chéri, such a portfolio and also quite close to the original. The presence of makeup artist Peter Philips said: "Karl give the main guidelines of our lips are. Then our focus is to bring out the Jerry Hall's own personal charisma." Since most photos are black and white, so lips feel down are not too strong, they are Jerry Hall and at exchange photos, fully demonstrate the kind of Lea de Lonval at two strong relations, and Baptiste Giabiconi while the weakness of his Chéri thoroughly like grovel at under the skirt end. However, the book is actually very Chéri narcissism, he would put on silk pajamas and then wear Lea pearl chain, it is a self-enjoyment and appreciation of the performance, but the photos were stripped of one on the self-satisfaction Chéri .
Can this be reflected in Karl Lagerfeld's view of love and attitude? I believe at the subconscious might have more or less implicated. Karl Lagerfeld is a private life of people of extreme secrecy, even in "Lagerfeld Confidential", he revealed that many do not own, the most pleasant surprise, I am afraid only that moment, he put off his sunglasses to. In fact, from the year Jacques de Bascher with Karl Lagerfeld to Yves Saint Laurent's love story on that, but also perhaps to see Karl Lagerfeld's calm, although there is sad, but Yves Saint Laurent did not like the kind of crazy general mood swings This shows his love of view is, in fact there is a sense of how much the distance. "I think I can control their own good, I treat myself are a bit fascist-style, where there is no room for discussion, such as the same command." Speaking a bit like a paranoid. Perhaps he is also the favorites has always been their own, or as "Chéri" is a kind of the same distance with love.
Can this be reflected in Karl Lagerfeld's view of love and attitude? I believe at the subconscious might have more or less implicated. Karl Lagerfeld is a private life of people of extreme secrecy, even in "Lagerfeld Confidential", he revealed that many do not own, the most pleasant surprise, I am afraid only that moment, he put off his sunglasses to. In fact, from the year Jacques de Bascher with Karl Lagerfeld to Yves Saint Laurent's love story on that, but also perhaps to see Karl Lagerfeld's calm, although there is sad, but Yves Saint Laurent did not like the kind of crazy general mood swings This shows his love of view is, in fact there is a sense of how much the distance. "I think I can control their own good, I treat myself are a bit fascist-style, where there is no room for discussion, such as the same command." Speaking a bit like a paranoid. Perhaps he is also the favorites has always been their own, or as "Chéri" is a kind of the same distance with love.

MW = "Weekly" KL = Karl Lagerfeld
MW: Why did you choose to Jerry Hall to take this group of photos?
KL: I learned from Jerry Hall 15-year-old when her Know, I have been very much appreciate her gorgeous and atmospheric. I admire her for her skin, her face, her hair, her overall charm.
MW: This is your first camera for her? You have other projects you are working with her?
KL: I start from a long time ago for her to take photographs, and early photography at the beginning of my career, we have maintained contact. Recently, I also shot for her cover of a book, that book is Writing Her, will be published immediately.
MW: Claudia Schiffer, Christie Turlington, have now Jerry Hall, these 1980s to the 1990s Supermodular is how it has become a symbol of women?
KL: Yes they have a strong personal qualities of women. They always go beyond the age, time, life, the impact of fashion evolution. This is also what I most admire their place.

KL: For me, Colette on behalf of the most outstanding French writers and female writers. In fact, "Karl Lagerfeld: 7 Fantasmes of a Woman" already has a number on to pay tribute to this book.
This book for you so special? Why will again select women with young men ripe for the subject?
KL: Oscar Wilde has to say: "I like to have the future of men and women have over the past." ( "Road portraits") of which the interpretation of the temptation, it is most appealing to my place. A very young man fascinated by a woman of action: her closet, her perfume, her movements, her charm, and so on.
MW: Why did you select Baptiste Giabiconi to play "Chéri"?
MW: Why did you select Baptiste Giabiconi to play "Chéri"?
KL: see the first page of the novel character descriptions on my mind come Baptiste looks as Chéri. He is currently the most promising .
MW: Where are these photos taken?
MW: Where are these photos taken?
KL: In a studio, which arranged a woman, a mistress's bedroom.
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